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authorDaniel Baumann <daniel.baumann@progress-linux.org>2024-09-05 13:14:37 +0000
committerDaniel Baumann <daniel.baumann@progress-linux.org>2024-09-05 13:14:37 +0000
commitfd3b2704efc2b206784615c1a23eb25501842259 (patch)
tree61ba3a8af2a0ae2ac9ec362bbf18b038f5dc0448 /man
parentInitial commit. (diff)
downloadflac-fd3b2704efc2b206784615c1a23eb25501842259.tar.xz
flac-fd3b2704efc2b206784615c1a23eb25501842259.zip
Adding upstream version 1.4.3+ds.upstream/1.4.3+dsupstream
Signed-off-by: Daniel Baumann <daniel.baumann@progress-linux.org>
Diffstat (limited to 'man')
-rw-r--r--man/Makefile.am34
-rw-r--r--man/Makefile.in586
-rw-r--r--man/flac.md760
-rw-r--r--man/metaflac.md299
4 files changed, 1679 insertions, 0 deletions
diff --git a/man/Makefile.am b/man/Makefile.am
new file mode 100644
index 0000000..50bacae
--- /dev/null
+++ b/man/Makefile.am
@@ -0,0 +1,34 @@
+# flac - Command-line FLAC encoder/decoder
+# Copyright (C) 2000-2009 Josh Coalson
+# Copyright (C) 2011-2023 Xiph.Org Foundation
+#
+# This program is free software; you can redistribute it and/or
+# modify it under the terms of the GNU General Public License
+# as published by the Free Software Foundation; either version 2
+# of the License, or (at your option) any later version.
+#
+# This program is distributed in the hope that it will be useful,
+# but WITHOUT ANY WARRANTY; without even the implied warranty of
+# MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+# GNU General Public License for more details.
+#
+# You should have received a copy of the GNU General Public License along
+# with this program; if not, write to the Free Software Foundation, Inc.,
+# 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301 USA.
+
+if FLaC__HAS_PANDOC
+flac.1: flac.md
+ pandoc --standalone --to man $? > $@
+
+metaflac.1: metaflac.md
+ pandoc --standalone --to man $? > $@
+
+man_MANS = flac.1 metaflac.1
+
+else
+if FLaC__HAS_PREBUILT_MANPAGES
+man_MANS = flac.1 metaflac.1
+endif
+endif
+
+EXTRA_DIST = flac.1 metaflac.1 flac.md metaflac.md
diff --git a/man/Makefile.in b/man/Makefile.in
new file mode 100644
index 0000000..484e0f3
--- /dev/null
+++ b/man/Makefile.in
@@ -0,0 +1,586 @@
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+# but WITHOUT ANY WARRANTY, to the extent permitted by law; without
+# even the implied warranty of MERCHANTABILITY or FITNESS FOR A
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+# flac - Command-line FLAC encoder/decoder
+# Copyright (C) 2000-2009 Josh Coalson
+# Copyright (C) 2011-2023 Xiph.Org Foundation
+#
+# This program is free software; you can redistribute it and/or
+# modify it under the terms of the GNU General Public License
+# as published by the Free Software Foundation; either version 2
+# of the License, or (at your option) any later version.
+#
+# This program is distributed in the hope that it will be useful,
+# but WITHOUT ANY WARRANTY; without even the implied warranty of
+# MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+# GNU General Public License for more details.
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+ $(MAKE) $(AM_MAKEFLAGS) INSTALL_PROGRAM="$(INSTALL_STRIP_PROGRAM)" \
+ install_sh_PROGRAM="$(INSTALL_STRIP_PROGRAM)" INSTALL_STRIP_FLAG=-s \
+ "INSTALL_PROGRAM_ENV=STRIPPROG='$(STRIP)'" install; \
+ fi
+mostlyclean-generic:
+
+clean-generic:
+
+distclean-generic:
+ -test -z "$(CONFIG_CLEAN_FILES)" || rm -f $(CONFIG_CLEAN_FILES)
+ -test . = "$(srcdir)" || test -z "$(CONFIG_CLEAN_VPATH_FILES)" || rm -f $(CONFIG_CLEAN_VPATH_FILES)
+
+maintainer-clean-generic:
+ @echo "This command is intended for maintainers to use"
+ @echo "it deletes files that may require special tools to rebuild."
+clean: clean-am
+
+clean-am: clean-generic clean-libtool mostlyclean-am
+
+distclean: distclean-am
+ -rm -f Makefile
+distclean-am: clean-am distclean-generic
+
+dvi: dvi-am
+
+dvi-am:
+
+html: html-am
+
+html-am:
+
+info: info-am
+
+info-am:
+
+install-data-am: install-man
+
+install-dvi: install-dvi-am
+
+install-dvi-am:
+
+install-exec-am:
+
+install-html: install-html-am
+
+install-html-am:
+
+install-info: install-info-am
+
+install-info-am:
+
+install-man: install-man1
+
+install-pdf: install-pdf-am
+
+install-pdf-am:
+
+install-ps: install-ps-am
+
+install-ps-am:
+
+installcheck-am:
+
+maintainer-clean: maintainer-clean-am
+ -rm -f Makefile
+maintainer-clean-am: distclean-am maintainer-clean-generic
+
+mostlyclean: mostlyclean-am
+
+mostlyclean-am: mostlyclean-generic mostlyclean-libtool
+
+pdf: pdf-am
+
+pdf-am:
+
+ps: ps-am
+
+ps-am:
+
+uninstall-am: uninstall-man
+
+uninstall-man: uninstall-man1
+
+.MAKE: install-am install-strip
+
+.PHONY: all all-am check check-am clean clean-generic clean-libtool \
+ cscopelist-am ctags-am distclean distclean-generic \
+ distclean-libtool distdir dvi dvi-am html html-am info info-am \
+ install install-am install-data install-data-am install-dvi \
+ install-dvi-am install-exec install-exec-am install-html \
+ install-html-am install-info install-info-am install-man \
+ install-man1 install-pdf install-pdf-am install-ps \
+ install-ps-am install-strip installcheck installcheck-am \
+ installdirs maintainer-clean maintainer-clean-generic \
+ mostlyclean mostlyclean-generic mostlyclean-libtool pdf pdf-am \
+ ps ps-am tags-am uninstall uninstall-am uninstall-man \
+ uninstall-man1
+
+.PRECIOUS: Makefile
+
+
+@FLaC__HAS_PANDOC_TRUE@flac.1: flac.md
+@FLaC__HAS_PANDOC_TRUE@ pandoc --standalone --to man $? > $@
+
+@FLaC__HAS_PANDOC_TRUE@metaflac.1: metaflac.md
+@FLaC__HAS_PANDOC_TRUE@ pandoc --standalone --to man $? > $@
+
+# Tell versions [3.59,3.63) of GNU make to not export all variables.
+# Otherwise a system limit (for SysV at least) may be exceeded.
+.NOEXPORT:
diff --git a/man/flac.md b/man/flac.md
new file mode 100644
index 0000000..b51ac69
--- /dev/null
+++ b/man/flac.md
@@ -0,0 +1,760 @@
+% flac(1) Version 1.4.3 | Free Lossless Audio Codec conversion tool
+
+# NAME
+
+flac - Free Lossless Audio Codec
+
+# SYNOPSIS
+
+**flac** \[ *OPTIONS* \] \[ *infile.wav* \| *infile.rf64* \|
+*infile.aiff* \| *infile.raw* \| *infile.flac* \| *infile.oga* \|
+*infile.ogg* \| **-** *...* \]
+
+**flac** \[ **-d** \| **\--decode** \| **-t** \| **\--test** \| **-a** \|
+**\--analyze** \] \[ *OPTIONS* \] \[ *infile.flac* \| *infile.oga* \|
+*infile.ogg* \| **-** *...* \]
+
+# DESCRIPTION
+
+**flac** is a command-line tool for encoding, decoding, testing and
+analyzing FLAC streams.
+
+# GENERAL USAGE
+
+**flac** supports as input RIFF WAVE, Wave64, RF64, AIFF, FLAC or Ogg
+FLAC format, or raw interleaved samples. The decoder currently can output
+to RIFF WAVE, Wave64, RF64, or AIFF format, or raw interleaved samples.
+flac only supports linear PCM samples (in other words, no A-LAW, uLAW,
+etc.), and the input must be between 4 and 32 bits per sample.
+
+flac assumes that files ending in ".wav" or that have the RIFF WAVE
+header present are WAVE files, files ending in ".w64" or have the Wave64
+header present are Wave64 files, files ending in ".rf64" or have the
+RF64 header present are RF64 files, files ending in ".aif" or ".aiff" or
+have the AIFF header present are AIFF files, files ending in ".flac"
+or have the FLAC header present are FLAC files and files ending in ".oga"
+or ".ogg" or have the Ogg FLAC header present are Ogg FLAC files.
+
+Other than this, flac makes no assumptions about file extensions, though
+the convention is that FLAC files have the extension ".flac"
+(or ".fla" on ancient "8.3" file systems like FAT-16).
+
+Before going into the full command-line description, a few other things
+help to sort it out:
+1. flac encodes by default, so you must use -d to decode
+2. the options -0 .. -8 (or --fast and --best) that control the
+ compression level actually are just synonyms for different groups of
+ specific encoding options (described later) and you can get the same
+ effect by using the same options. When specific options are specified
+ they take priority over the compression level no matter the order
+3. flac behaves similarly to gzip in the way it handles input and output
+ files
+4. the order in which options are specified is generally not important
+
+Skip to the examples below for examples of some common tasks.
+
+flac will be invoked one of four ways, depending on whether you are
+encoding, decoding, testing, or analyzing. Encoding is the default
+invocation, but can be switch to decoding with **-d**, analysis with
+**-a** or testing with **-t**. Depending on which way is chosen,
+encoding, decoding, analysis or testing options can be used, see section
+OPTIONS for details. General options can be used for all.
+
+If only one inputfile is specified, it may be "-" for stdin. When stdin
+is used as input, flac will write to stdout. Otherwise flac will perform
+the desired operation on each input file to similarly named output files
+(meaning for encoding, the extension will be replaced with ".flac", or
+appended with ".flac" if the input file has no extension, and for
+decoding, the extension will be ".wav" for WAVE output and ".raw" for raw
+output). The original file is not deleted unless --delete-input-file is
+specified.
+
+If you are encoding/decoding from stdin to a file, you should use the -o
+option like so:
+
+ flac [options] -o outputfile
+ flac -d [options] -o outputfile
+
+which are better than:
+
+ flac [options] > outputfile
+ flac -d [options] > outputfile
+
+since the former allows flac to seek backwards to write the STREAMINFO or
+RIFF WAVE header contents when necessary.
+
+Also, you can force output data to go to stdout using -c.
+
+To encode or decode files that start with a dash, use -- to signal the
+end of options, to keep the filenames themselves from being treated as
+options:
+
+ flac -V -- -01-filename.wav
+
+The encoding options affect the compression ratio and encoding speed. The
+format options are used to tell flac the arrangement of samples if the
+input file (or output file when decoding) is a raw file. If it is a RIFF
+WAVE, Wave64, RF64, or AIFF file the format options are not needed since
+they are read from the file's header.
+
+In test mode, flac acts just like in decode mode, except no output file
+is written. Both decode and test modes detect errors in the stream, but
+they also detect when the MD5 signature of the decoded audio does not
+match the stored MD5 signature, even when the bitstream is valid.
+
+flac can also re-encode FLAC files. In other words, you can specify a
+FLAC or Ogg FLAC file as an input to the encoder and it will decoder it
+and re-encode it according to the options you specify. It will also
+preserve all the metadata unless you override it with other options (e.g.
+specifying new tags, seekpoints, cuesheet, padding, etc.).
+
+flac has been tuned so that the default settings yield a good speed vs.
+compression tradeoff for many kinds of input. However, if you are looking
+to maximize the compression rate or speed, or want to use the full power
+of FLAC's metadata system, see the page titled 'About the FLAC Format' on
+the FLAC website.
+
+# EXAMPLES
+
+Some common **encoding** tasks using flac:
+
+`flac abc.wav`
+: Encode abc.wav to abc.flac using the default compression setting. abc.wav is not deleted.
+
+`flac --delete-input-file abc.wav`
+: Like above, except abc.wav is deleted if there were no errors.
+
+`flac --delete-input-file -w abc.wav`
+: Like above, except abc.wav is deleted if there were no errors or warnings.
+
+`flac --best abc.wav`
+: Encode abc.wav to abc.flac using the highest compression setting.
+
+`flac --verify abc.wav`
+: Encode abc.wav to abc.flac and internally decode abc.flac to make sure it matches abc.wav.
+
+`flac -o my.flac abc.wav`
+: Encode abc.wav to my.flac.
+
+`flac -T "TITLE=Bohemian Rhapsody" -T "ARTIST=Queen" abc.wav`
+: Encode abc.wav and add some tags at the same time to abc.flac.
+
+`flac *.wav`
+: Encode all .wav files in the current directory.
+
+`flac abc.aiff`
+: Encode abc.aiff to abc.flac.
+
+`flac abc.rf64`
+: Encode abc.rf64 to abc.flac.
+
+`flac abc.w64`
+: Encode abc.w64 to abc.flac.
+
+`flac abc.flac --force`
+: This one's a little tricky: notice that flac is in encode mode by
+ default (you have to specify -d to decode) so this command actually
+ recompresses abc.flac back to abc.flac. --force is needed to make
+ sure you really want to overwrite abc.flac with a new version. Why
+ would you want to do this? It allows you to recompress an existing
+ FLAC file with (usually) higher compression options or a newer
+ version of FLAC and preserve all the metadata like tags too.
+
+Some common **decoding** tasks using flac:
+
+`flac -d abc.flac`
+: Decode abc.flac to abc.wav. abc.flac is not deleted. NOTE: Without
+ -d it means re-encode abc.flac to abc.flac (see above).
+
+`flac -d --force-aiff-format abc.flac`
+`flac -d -o abc.aiff abc.flac`
+: Two different ways of decoding abc.flac to abc.aiff (AIFF format).
+ abc.flac is not deleted.
+
+`flac -d --force-rf64-format abc.flac`
+`flac -d -o abc.rf64 abc.flac`
+: Two different ways of decoding abc.flac to abc.rf64 (RF64 format).
+ abc.flac is not deleted.
+
+`flac -d --force-wave64-format abc.flac`
+`flac -d -o abc.w64 abc.flac`
+: Two different ways of decoding abc.flac to abc.w64 (Wave64 format).
+ abc.flac is not deleted.
+
+`flac -d -F abc.flac`
+: Decode abc.flac to abc.wav and don't abort if errors are found
+ (useful for recovering as much as possible from corrupted files).
+
+
+# OPTIONS
+
+A summary of options is included below. For a complete description, see
+the HTML documentation.
+
+## GENERAL OPTIONS
+
+**-v, \--version**
+: Show the flac version number
+
+**-h, \--help**
+: Show basic usage and a list of all options
+
+**-H, \--explain**
+: Show detailed explanation of usage and all options
+
+**-d, \--decode**
+: Decode (the default behavior is to encode)
+
+**-t, \--test**
+: Test a flac encoded file (same as -d except no decoded file is written)
+
+**-a, \--analyze**
+: Analyze a FLAC encoded file (same as -d except an analysis file is
+ written)
+
+**-c, \--stdout**
+: Write output to stdout
+
+**-s, \--silent**
+: Silent mode (do not write runtime encode/decode statistics to stderr)
+
+**\--totally-silent**
+: Do not print anything of any kind, including warnings or errors. The
+ exit code will be the only way to determine successful completion.
+
+**\--no-utf8-convert**
+: Do not convert tags from local charset to UTF-8. This is useful for
+ scripts, and setting tags in situations where the locale is wrong.
+ This option must appear before any tag options!
+
+**-w, \--warnings-as-errors**
+: Treat all warnings as errors (which cause flac to terminate with a
+ non-zero exit code).
+
+**-f, \--force**
+: Force overwriting of output files. By default, flac warns that the
+ output file already exists and continues to the next file.
+
+**-o** *filename***, \--output-name=***filename*
+: Force the output file name (usually flac just changes the extension).
+ May only be used when encoding a single file. May not be used in
+ conjunction with \--output-prefix.
+
+**\--output-prefix=***string*
+: Prefix each output file name with the given string. This can be
+ useful for encoding or decoding files to a different directory. Make
+ sure if your string is a path name that it ends with a trailing \`/'
+ (slash).
+
+**\--delete-input-file**
+: Automatically delete the input file after a successful encode or
+ decode. If there was an error (including a verify error) the input
+ file is left intact.
+
+**\--preserve-modtime**
+: Output files have their timestamps/permissions set to match those of
+ their inputs (this is default). Use \--no-preserve-modtime to make
+ output files have the current time and default permissions.
+
+**\--keep-foreign-metadata**
+: If encoding, save WAVE, RF64, or AIFF non-audio chunks in FLAC
+ metadata. If decoding, restore any saved non-audio chunks from FLAC
+ metadata when writing the decoded file. Foreign metadata cannot be
+ transcoded, e.g. WAVE chunks saved in a FLAC file cannot be restored
+ when decoding to AIFF. Input and output must be regular files (not
+ stdin or stdout). With this option, FLAC will pick the right output
+ format on decoding.
+
+**\--keep-foreign-metadata-if-present**
+: Like \--keep-foreign-metadata, but without throwing an error if
+ foreign metadata cannot be found or restored, instead printing a
+ warning.
+
+**\--skip={***\#***\|***mm:ss.ss***}**
+: Skip over the first number of samples of the input. This works for
+ both encoding and decoding, but not testing. The alternative form
+ mm:ss.ss can be used to specify minutes, seconds, and fractions of a
+ second.
+
+**\--until={***\#***\|\[***+***\|***-***\]***mm:ss.ss***}**
+: Stop at the given sample number for each input file. This works for
+ both encoding and decoding, but not testing. The given sample number
+ is not included in the decoded output. The alternative form mm:ss.ss
+ can be used to specify minutes, seconds, and fractions of a second.
+ If a \`+' (plus) sign is at the beginning, the \--until point is
+ relative to the \--skip point. If a \`-' (minus) sign is at the
+ beginning, the \--until point is relative to end of the audio.
+
+**\--ogg**
+: When encoding, generate Ogg FLAC output instead of native FLAC. Ogg
+ FLAC streams are FLAC streams wrapped in an Ogg transport layer. The
+ resulting file should have an '.oga' extension and will still be
+ decodable by flac. When decoding, force the input to be treated as
+ Ogg FLAC. This is useful when piping input from stdin or when the
+ filename does not end in '.oga' or '.ogg'.
+
+**\--serial-number=***\#*
+: When used with \--ogg, specifies the serial number to use for the
+ first Ogg FLAC stream, which is then incremented for each additional
+ stream. When encoding and no serial number is given, flac uses a
+ random number for the first stream, then increments it for each
+ additional stream. When decoding and no number is given, flac uses
+ the serial number of the first page.
+
+## ANALYSIS OPTIONS
+
+**\--residual-text**
+: Includes the residual signal in the analysis file. This will make the
+ file very big, much larger than even the decoded file.
+
+**\--residual-gnuplot**
+: Generates a gnuplot file for every subframe; each file will contain
+ the residual distribution of the subframe. This will create a lot of
+ files.
+
+## DECODING OPTIONS
+
+**\--cue=\[***\#.#***\]\[-\[***\#.#***\]\]**
+: Set the beginning and ending cuepoints to decode. The optional first
+ \#.# is the track and index point at which decoding will start; the
+ default is the beginning of the stream. The optional second \#.# is
+ the track and index point at which decoding will end; the default is
+ the end of the stream. If the cuepoint does not exist, the closest
+ one before it (for the start point) or after it (for the end point)
+ will be used. If those don't exist, the start of the stream (for the
+ start point) or end of the stream (for the end point) will be used.
+ The cuepoints are merely translated into sample numbers then used as
+ \--skip and \--until. A CD track can always be cued by, for example,
+ \--cue=9.1-10.1 for track 9, even if the CD has no 10th track.
+
+**-F, \--decode-through-errors**
+: By default flac stops decoding with an error and removes the
+ partially decoded file if it encounters a bitstream error. With -F,
+ errors are still printed but flac will continue decoding to
+ completion. Note that errors may cause the decoded audio to be
+ missing some samples or have silent sections.
+
+**\--apply-replaygain-which-is-not-lossless\[=\<specification\>\]**
+: Applies ReplayGain values while decoding. **WARNING: THIS IS NOT
+ LOSSLESS. DECODED AUDIO WILL NOT BE IDENTICAL TO THE ORIGINAL WITH
+ THIS OPTION.** This option is useful for example in transcoding
+ media servers, where the client does not support ReplayGain. For
+ details on the use of this option, see the section **ReplayGain
+ application specification**.
+
+## ENCODING OPTIONS
+
+**-V, \--verify**
+: Verify a correct encoding by decoding the output in parallel and
+ comparing to the original
+
+**\--lax**
+: Allow encoder to generate non-Subset files. The resulting FLAC file
+ may not be streamable or might have trouble being played in all
+ players (especially hardware devices), so you should only use this
+ option in combination with custom encoding options meant for
+ archival.
+
+**\--replay-gain**
+: Calculate ReplayGain values and store them as FLAC tags, similar to
+ vorbisgain. Title gains/peaks will be computed for each input file,
+ and an album gain/peak will be computed for all files. All input
+ files must have the same resolution, sample rate, and number of
+ channels. Only mono and stereo files are allowed, and the sample
+ rate must be 8, 11.025, 12, 16, 18.9, 22.05, 24, 28, 32, 36, 37.8,
+ 44.1, 48, 56, 64, 72, 75.6, 88.2, 96, 112, 128, 144, 151.2, 176.4,
+ 192, 224, 256, 288, 302.4, 352.8, 384, 448, 512, 576, or 604.8 kHz.
+ Also note that this option may leave a few extra bytes in a PADDING
+ block as the exact size of the tags is not known until all files
+ are processed. Note that this option cannot be used when encoding
+ to standard output (stdout).
+
+**\--cuesheet=***filename*
+: Import the given cuesheet file and store it in a CUESHEET metadata
+ block. This option may only be used when encoding a single file. A
+ seekpoint will be added for each index point in the cuesheet to the
+ SEEKTABLE unless \--no-cued-seekpoints is specified.
+
+**\--picture={***FILENAME***\|***SPECIFICATION***}**
+: Import a picture and store it in a PICTURE metadata block. More than
+ one \--picture option can be specified. Either a filename for the
+ picture file or a more complete specification form can be used. The
+ SPECIFICATION is a string whose parts are separated by \| (pipe)
+ characters. Some parts may be left empty to invoke default values.
+ FILENAME is just shorthand for "\|\|\|\|FILENAME". For the format of
+ SPECIFICATION, see the section **picture specification**.
+
+**\--ignore-chunk-sizes**
+: When encoding to flac, ignore the file size headers in WAV and AIFF
+ files to attempt to work around problems with over-sized or malformed
+ files. WAV and AIFF files both have an unsigned 32 bit numbers in
+ the file header which specifes the length of audio data. Since this
+ number is unsigned 32 bits, that limits the size of a valid file to
+ being just over 4 Gigabytes. Files larger than this are mal-formed,
+ but should be read correctly using this option.
+
+**-S {***\#***\|***X***\|***\#x***\|***\#s***}, \--seekpoint={***\#***\|***X***\|***\#x***\|***\#s***}**
+: Include a point or points in a SEEKTABLE. Using \#, a seek point at
+ that sample number is added. Using X, a placeholder point is added at
+ the end of a the table. Using \#x, \# evenly spaced seek points will
+ be added, the first being at sample 0. Using \#s, a seekpoint will be
+ added every \# seconds (# does not have to be a whole number; it can
+ be, for example, 9.5, meaning a seekpoint every 9.5 seconds). You may
+ use many -S options; the resulting SEEKTABLE will be the unique-ified
+ union of all such values. With no -S options, flac defaults to
+ '-S 10s'. Use \--no-seektable for no SEEKTABLE. Note: '-S \#x' and
+ '-S \#s' will not work if the encoder can't determine the input size
+ before starting. Note: if you use '-S \#' and \# is \>= samples in
+ the input, there will be either no seek point entered (if the input
+ size is determinable before encoding starts) or a placeholder point
+ (if input size is not determinable).
+
+**-P** *\#***, \--padding=***\#*
+: Tell the encoder to write a PADDING metadata block of the given
+ length (in bytes) after the STREAMINFO block. This is useful if you
+ plan to tag the file later with an APPLICATION block; instead of
+ having to rewrite the entire file later just to insert your block,
+ you can write directly over the PADDING block. Note that the total
+ length of the PADDING block will be 4 bytes longer than the length
+ given because of the 4 metadata block header bytes. You can force no
+ PADDING block at all to be written with \--no-padding. The encoder
+ writes a PADDING block of 8192 bytes by default (or 65536 bytes if
+ the input audio stream is more that 20 minutes long).
+
+**-T** *FIELD=VALUE***, \--tag=***FIELD=VALUE*
+: Add a FLAC tag. The comment must adhere to the Vorbis comment spec;
+ i.e. the FIELD must contain only legal characters, terminated by an
+ 'equals' sign. Make sure to quote the comment if necessary. This
+ option may appear more than once to add several comments. NOTE: all
+ tags will be added to all encoded files.
+
+**\--tag-from-file=***FIELD=FILENAME*
+: Like \--tag, except FILENAME is a file whose contents will be read
+ verbatim to set the tag value. The contents will be converted to
+ UTF-8 from the local charset. This can be used to store a cuesheet
+ in a tag (e.g. \--tag-from-file="CUESHEET=image.cue"). Do not try to
+ store binary data in tag fields! Use APPLICATION blocks for that.
+
+**-b** *\#***, \--blocksize=***\#*
+: Specify the blocksize in samples. The default is 1152 for -l 0,
+ else 4096. For subset streams this must be \<= 4608 if the samplerate
+ \<= 48kHz, for subset streams with higher samplerates it must be \<=
+ 16384.
+
+**-m, \--mid-side**
+: Try mid-side coding for each frame (stereo input only)
+
+**-M, \--adaptive-mid-side**
+: Adaptive mid-side coding for all frames (stereo input only)
+
+**-0..-8, \--compression-level-0..\--compression-level-8**
+: Fastest compression..highest compression (default is -5). These are
+ synonyms for other options:
+
+**-0, \--compression-level-0**
+: Synonymous with -l 0 -b 1152 -r 3 \--no-mid-side
+
+**-1, \--compression-level-1**
+: Synonymous with -l 0 -b 1152 -M -r 3
+
+**-2, \--compression-level-2**
+: Synonymous with -l 0 -b 1152 -m -r 3
+
+**-3, \--compression-level-3**
+: Synonymous with -l 6 -b 4096 -r 4 \--no-mid-side
+
+**-4, \--compression-level-4**
+: Synonymous with -l 8 -b 4096 -M -r 4
+
+**-5, \--compression-level-5**
+: Synonymous with -l 8 -b 4096 -m -r 5
+
+**-6, \--compression-level-6**
+: Synonymous with -l 8 -b 4096 -m -r 6 -A subdivide_tukey(2)
+
+**-7, \--compression-level-7**
+: Synonymous with -l 12 -b 4096 -m -r 6 -A subdivide_tukey(2)
+
+**-8, \--compression-level-8**
+: Synonymous with -l 12 -b 4096 -m -r 6 -A subdivide_tukey(3)
+
+**\--fast**
+: Fastest compression. Currently synonymous with -0.
+
+**\--best**
+: Highest compression. Currently synonymous with -8.
+
+**-e, \--exhaustive-model-search**
+: Do exhaustive model search (expensive!)
+
+**-A** *function***, \--apodization=***function*
+: Window audio data with given the apodization function. See section
+ **Apodization functions** for details.
+
+**-l** *\#***, \--max-lpc-order=***\#*
+: Specifies the maximum LPC order. This number must be \<= 32. For
+ subset streams, it must be \<=12 if the sample rate is \<=48kHz. If
+ 0, the encoder will not attempt generic linear prediction, and use
+ only fixed predictors. Using fixed predictors is faster but usually
+ results in files being 5-10% larger.
+
+**-p, \--qlp-coeff-precision-search**
+: Do exhaustive search of LP coefficient quantization (expensive!).
+ Overrides -q; does nothing if using -l 0
+
+**-q** *\#***, \--qlp-coeff-precision=***\#*
+: Precision of the quantized linear-predictor coefficients, 0 =\> let
+ encoder decide (min is 5, default is 0)
+
+**-r \[***\#***,\]***\#***, \--rice-partition-order=\[***\#***,\]***\#*
+: Set the \[min,\]max residual partition order (0..15). min defaults to
+ 0 if unspecified. Default is -r 5.
+
+## FORMAT OPTIONS
+
+**\--endian={***big***\|***little***}**
+: Set the byte order for samples
+
+**\--channels=***\#*
+: Set number of channels.
+
+**\--bps=***\#*
+: Set bits per sample.
+
+**\--sample-rate=***\#*
+: Set sample rate (in Hz).
+
+**\--sign={***signed***\|***unsigned***}**
+: Set the sign of samples.
+
+**\--input-size=***\#*
+: Specify the size of the raw input in bytes. If you are encoding raw
+ samples from stdin, you must set this option in order to be able to
+ use \--skip, \--until, \--cuesheet, or other options that need to
+ know the size of the input beforehand. If the size given is greater
+ than what is found in the input stream, the encoder will complain
+ about an unexpected end-of-file. If the size given is less, samples
+ will be truncated.
+
+**\--force-raw-format**
+: Force input (when encoding) or output (when decoding) to be treated
+ as raw samples (even if filename ends in *.wav*).
+
+**\--force-aiff-format**
+**\--force-rf64-format**
+**\--force-wave64-format**
+: Force the decoder to output AIFF/RF64/WAVE64 format respectively.
+ This option is not needed if the output filename (as set by -o)
+ ends with *.aif* or *.aiff*, *.rf64* and *.w64* respectively. Also,
+ this option has no effect when encoding since input is
+ auto-detected. When none of these options nor
+ --keep-foreign-metadata are given and no output filename is set,
+ the output format is WAV by default.
+
+**\--force-legacy-wave-format**
+**\--force-extensible-wave-format**
+: Instruct the decoder to output a WAVE file with WAVE_FORMAT_PCM and
+ WAVE_FORMAT_EXTENSIBLE respectively. If none of these options nor
+ --keep-foreign-metadata are given, FLAC outputs WAVE_FORMAT_PCM
+ for mono or stereo with a bit depth of 8 or 16 bits, and
+ WAVE_FORMAT_EXTENSIBLE for all other audio formats.
+
+**\--force-aiff-c-none-format**
+**\--force-aiff-c-sowt-format**
+: Instruct the decoder to output an AIFF-C file with format NONE and
+ sowt respectively.
+
+## NEGATIVE OPTIONS
+
+**\--no-adaptive-mid-side**
+**\--no-cued-seekpoints**
+**\--no-decode-through-errors**
+**\--no-delete-input-file**
+**\--no-preserve-modtime**
+**\--no-keep-foreign-metadata**
+**\--no-exhaustive-model-search**
+**\--no-force**
+**\--no-lax**
+**\--no-mid-side**
+**\--no-ogg**
+**\--no-padding**
+**\--no-qlp-coeff-prec-search**
+**\--no-replay-gain**
+**\--no-residual-gnuplot**
+**\--no-residual-text**
+**\--no-seektable**
+**\--no-silent**
+**\--no-verify**
+**\--no-warnings-as-errors**
+
+These flags can be used to invert the sense of the corresponding normal
+option.
+
+## ReplayGain application specification
+The option \--apply-replaygain-which-is-not-lossless\[=\<specification\>\]**
+applies ReplayGain values while decoding. **WARNING: THIS IS NOT
+LOSSLESS. DECODED AUDIO WILL NOT BE IDENTICAL TO THE ORIGINAL WITH THIS
+OPTION.** This option is useful for example in transcoding media servers,
+where the client does not support ReplayGain.
+
+The equals sign and \<specification\> is optional. If omitted, the
+default specification is 0aLn1.
+
+The \<specification\> is a shorthand notation for describing how to apply
+ReplayGain. All components are optional but order is important. '\[\]'
+means 'optional'. '\|' means 'or'. '{}' means required. The format is:
+
+\[\<preamp\>\]\[a\|t\]\[l\|L\]\[n{0\|1\|2\|3}\]
+
+In which the following parameters are used:
+
+- **preamp**: A floating point number in dB. This is added to the
+ existing gain value.
+
+- **a\|t**: Specify 'a' to use the album gain, or 't' to use the track
+ gain. If tags for the preferred kind (album/track) do not exist but
+ tags for the other (track/album) do, those will be used instead.
+
+- **l\|L**: Specify 'l' to peak-limit the output, so that the
+ ReplayGain peak value is full-scale. Specify 'L' to use a 6dB hard
+ limiter that kicks in when the signal approaches full-scale.
+
+- **n{0\|1\|2\|3}**: Specify the amount of noise shaping. ReplayGain
+ synthesis happens in floating point; the result is dithered before
+ converting back to integer. This quantization adds noise. Noise
+ shaping tries to move the noise where you won't hear it as much.
+ 0 means no noise shaping, 1 means 'low', 2 means 'medium', 3 means
+ 'high'.
+
+For example, the default of 0aLn1 means 0dB preamp, use album gain, 6dB
+hard limit, low noise shaping. \--apply-replaygain-which-is-not-lossless=3
+means 3dB preamp, use album gain, no limiting, no noise shaping.
+
+flac uses the ReplayGain tags for the calculation. If a stream does
+not have the required tags or they can't be parsed, decoding will
+continue with a warning, and no ReplayGain is applied to that stream.
+
+## Picture specification
+This described the specification used for the **\--picture** option.
+\[TYPE\]\|\[MIME-TYPE\]\|\[DESCRIPTION\]\|\[WIDTHxHEIGHTxDEPTH\[/COLORS\]\]\|FILE
+
+TYPE is optional; it is a number from one of:
+
+0. Other
+1. 32x32 pixels 'file icon' (PNG only)
+2. Other file icon
+3. Cover (front)
+4. Cover (back)
+5. Leaflet page
+6. Media (e.g. label side of CD)
+7. Lead artist/lead performer/soloist
+8. Artist/performer
+9. Conductor
+10. Band/Orchestra
+11. Composer
+12. Lyricist/text writer
+13. Recording Location
+14. During recording
+15. During performance
+16. Movie/video screen capture
+17. A bright coloured fish
+18. Illustration
+19. Band/artist logotype
+20. Publisher/Studio logotype
+
+The default is 3 (front cover). There may only be one picture each of
+type 1 and 2 in a file.
+
+MIME-TYPE is optional; if left blank, it will be detected from the file.
+For best compatibility with players, use pictures with MIME type
+image/jpeg or image/png. The MIME type can also be \--\> to mean that
+FILE is actually a URL to an image, though this use is discouraged.
+
+DESCRIPTION is optional; the default is an empty string.
+
+The next part specifies the resolution and color information. If the
+MIME-TYPE is image/jpeg, image/png, or image/gif, you can usually leave
+this empty and they can be detected from the file. Otherwise, you must
+specify the width in pixels, height in pixels, and color depth in
+bits-per-pixel. If the image has indexed colors you should also specify
+the number of colors used. When manually specified, it is not checked
+against the file for accuracy.
+
+FILE is the path to the picture file to be imported, or the URL if MIME
+type is \--\>
+
+For example, "\|image/jpeg\|\|\|../cover.jpg" will embed the JPEG file
+at ../cover.jpg, defaulting to type 3 (front cover) and an empty
+description. The resolution and color info will be retrieved from the
+file itself.
+
+The specification
+"4\|\--\>\|CD\|320x300x24/173\|http://blah.blah/backcover.tiff" will
+embed the given URL, with type 4 (back cover), description "CD", and a
+manually specified resolution of 320x300, 24 bits-per-pixel, and 173
+colors. The file at the URL will not be fetched; the URL itself is
+stored in the PICTURE metadata block.
+
+## Apodization functions
+To improve LPC analysis, audio data is windowed . The window can be
+selected with one or more **-A** options. Possible functions are:
+bartlett, bartlett_hann, blackman, blackman_harris_4term_92db,
+connes, flattop, gauss(STDDEV), hamming, hann, kaiser_bessel, nuttall,
+rectangle, triangle, tukey(P), partial_tukey(n\[/ov\[/P\]\]),
+punchout_tukey(n\[/ov\[/P\]\]), subdivide_tukey(n\[/P\]) welch.
+
+- For gauss(STDDEV), STDDEV is the standard deviation (0\<STDDEV\<=0.5).
+
+- For tukey(P), P specifies the fraction of the window that is tapered
+(0\<=P\<=1; P=0 corresponds to "rectangle" and P=1 corresponds to
+"hann").
+
+- For partial_tukey(n) and punchout_tukey(n), n apodization functions are
+added that span different parts of each block. Values of 2 to 6 seem to
+yield sane results. If necessary, an overlap can be specified, as can be
+the taper parameter, for example partial_tukey(2/0.2) or
+partial_tukey(2/0.2/0.5). ov should be smaller than 1 and can be
+negative. The use of this is that different parts of a block are ignored
+as the might contain transients which are hard to predict anyway. The
+encoder will try each different added apodization (each covering a
+different part of the block) to see which resulting predictor results in
+the smallest representation.
+
+- subdivide_tukey(n) is a more efficient reimplementation of partial_tukey
+and punchout_tukey taken together, recycling as much data as possible. It
+combines all possible non-redundant partial_tukey(n) and punchout_tukey(n)
+up to the n specified. Specifying subdivide_tukey(3) is equivalent to
+specifying tukey, partial_tukey(2), partial_tukey(3) and punchout_tukey(3),
+specifying subdivide_tukey(5) equivalently adds partial_tukey(4),
+punchout_tukey(4), partial_tukey(5) and punchout_tukey(5). To be able to
+reuse data as much as possible, the tukey taper is taken equal for all
+windows, and the P specified is applied for the smallest used window.
+In other words, subdivide_tukey(2/0.5) results in a taper equal to that
+of tukey(0.25) and subdivide_tukey(5) in a taper equal to that of
+tukey(0.1). The default P for subdivide_tukey when none is specified is
+0.5.
+
+Note that P, STDDEV and ov are locale specific, so a comma as
+decimal separator might be required instead of a dot. Use scientific
+notation for a locale-independent specification, for example
+tukey(5e-1) instead of tukey(0.5) or tukey(0,5).
+
+More than one -A option (up to 32) may be used. Any function that is
+specified erroneously is silently dropped. The encoder chooses suitable
+defaults in the absence of any -A options; any -A option specified
+replaces the default(s).
+
+When more than one function is specified, then for every subframe the
+encoder will try each of them separately and choose the window that
+results in the smallest compressed subframe. Multiple functions can
+greatly increase the encoding time.
+
+# SEE ALSO
+
+**metaflac(1)**
+
+# AUTHOR
+
+This manual page was initially written by Matt Zimmerman
+\<mdz@debian.org\> for the Debian GNU/Linux system (but may be used by
+others). It has been kept up-to-date by the Xiph.org Foundation.
diff --git a/man/metaflac.md b/man/metaflac.md
new file mode 100644
index 0000000..8c049d7
--- /dev/null
+++ b/man/metaflac.md
@@ -0,0 +1,299 @@
+% metaflac(1) Version 1.4.3 | Free Lossless Audio Codec metadata tool
+
+# NAME
+
+metaflac - program to list, add, remove, or edit metadata in one or more
+FLAC files.
+
+# SYNOPSIS
+
+**metaflac** \[ *options* \] \[ *operations* \] *FLACfile ...*
+
+# DESCRIPTION
+
+Use **metaflac** to list, add, remove, or edit metadata in one or more
+FLAC files. You may perform one major operation, or many shorthand
+operations at a time.
+
+# GENERAL USAGE
+
+metaflac is the command-line .flac file metadata editor. You can use it
+to list the contents of metadata blocks, edit, delete or insert blocks,
+and manage padding.
+
+metaflac takes a set of "options" (though some are not optional) and a
+set of FLAC files to operate on. There are three kinds of "options":
+
+- Major operations, which specify a mode of operation like listing
+ blocks, removing blocks, etc. These will have sub-operations describing
+ exactly what is to be done.
+
+- Shorthand operations, which are convenient synonyms for major
+ operations. For example, there is a shorthand operation
+ --show-sample-rate that shows just the sample rate field from the
+ STREAMINFO metadata block.
+
+- Global options, which affect all the operations.
+
+All of these are described in the tables below. At least one shorthand
+or major operation must be supplied. You can use multiple shorthand
+operations to do more than one thing to a file or set of files. Most of
+the common things to do to metadata have shorthand operations. As an
+example, here is how to show the MD5 signatures for a set of three FLAC
+files:
+
+`metaflac --show-md5sum file1.flac file2.flac file3.flac`
+
+Another example; this removes all DESCRIPTION and COMMENT tags in a set
+of FLAC files, and uses the --preserve-modtime global option to keep the
+FLAC file modification times the same (usually when files are edited the
+modification time is set to the current time):
+
+`metaflac --preserve-modtime --remove-tag=DESCRIPTION --remove-tag=COMMENT file1.flac file2.flac file3.flac`
+
+# OPTIONS
+
+**\--preserve-modtime**
+: Preserve the original modification time in spite of edits.
+
+**\--with-filename**
+: Prefix each output line with the FLAC file name (the default if more
+ than one FLAC file is specified). This option has no effect for
+ options exporting to a file, like --export-tags-to.
+
+**\--no-filename**
+: Do not prefix each output line with the FLAC file name (the default
+ if only one FLAC file is specified).
+
+**\--no-utf8-convert**
+: Do not convert tags from UTF-8 to local charset, or vice versa. This
+ is useful for scripts, and setting tags in situations where the
+ locale is wrong.
+
+**\--dont-use-padding**
+: By default metaflac tries to use padding where possible to avoid
+ rewriting the entire file if the metadata size changes. Use this
+ option to tell metaflac to not take advantage of padding this way.
+
+# SHORTHAND OPERATIONS
+
+**\--show-md5sum**
+: Show the MD5 signature from the STREAMINFO block.
+
+**\--show-min-blocksize**
+: Show the minimum block size from the STREAMINFO block.
+
+**\--show-max-blocksize**
+: Show the maximum block size from the STREAMINFO block.
+
+**\--show-min-framesize**
+: Show the minimum frame size from the STREAMINFO block.
+
+**\--show-max-framesize**
+: Show the maximum frame size from the STREAMINFO block.
+
+**\--show-sample-rate**
+: Show the sample rate from the STREAMINFO block.
+
+**\--show-channels**
+: Show the number of channels from the STREAMINFO block.
+
+**\--show-bps**
+: Show the \# of bits per sample from the STREAMINFO block.
+
+**\--show-total-samples**
+: Show the total \# of samples from the STREAMINFO block.
+
+**\--show-vendor-tag**
+: Show the vendor string from the VORBIS_COMMENT block.
+
+**\--show-tag=name**
+: Show all tags where the field name matches 'name'.
+
+**\--show-all-tags**
+: Show all tags. This is an alias for --export-tags-to=-.
+
+**\--remove-tag=name**
+: Remove all tags whose field name is 'name'.
+
+**\--remove-first-tag=name**
+: Remove first tag whose field name is 'name'.
+
+**\--remove-all-tags**
+: Remove all tags, leaving only the vendor string.
+
+**\--remove-all-tags-except=NAME1\[=NAME2\[=...\]\]**
+: Remove all tags, except the vendor string and the tag names
+ specified. Tag names must be separated by an = character.
+
+**\--set-tag=field**
+: Add a tag. The field must comply with the Vorbis comment spec, of the
+ form "NAME=VALUE". If there is currently no tag block, one will be
+ created.
+
+**\--set-tag-from-file=field**
+: Like \--set-tag, except the VALUE is a filename whose contents will
+ be read verbatim to set the tag value. Unless \--no-utf8-convert is
+ specified, the contents will be converted to UTF-8 from the local
+ charset. This can be used to store a cuesheet in a tag (e.g.
+ \--set-tag-from-file="CUESHEET=image.cue"). Do not try to store
+ binary data in tag fields! Use APPLICATION blocks for that.
+
+**\--import-tags-from=file**
+: Import tags from a file. Use '-' for stdin. Each line should be of
+ the form NAME=VALUE. Multi-line comments are currently not supported.
+ Specify \--remove-all-tags and/or \--no-utf8-convert before
+ \--import-tags-from if necessary. If FILE is '-' (stdin), only one
+ FLAC file may be specified.
+
+**\--export-tags-to=file**
+: Export tags to a file. Use '-' for stdout. Each line will be of the
+ form NAME=VALUE. Specify \--no-utf8-convert if necessary.
+
+**\--import-cuesheet-from=file**
+: Import a cuesheet from a file. Use '-' for stdin. Only one FLAC file
+ may be specified. A seekpoint will be added for each index point in
+ the cuesheet to the SEEKTABLE unless \--no-cued-seekpoints is
+ specified.
+
+**\--export-cuesheet-to=file**
+: Export CUESHEET block to a cuesheet file, suitable for use by CD
+ authoring software. Use '-' for stdout. Only one FLAC file may be
+ specified on the command line.
+
+**\--import-picture-from={***FILENAME***\|***SPECIFICATION***}**
+: Import a picture and store it in a PICTURE metadata block. More than
+ one \--import-picture-from command can be specified. Either a filename
+ for the picture file or a more complete specification form can be
+ used. The SPECIFICATION is a string whose parts are separated by \|
+ (pipe) characters. Some parts may be left empty to invoke default
+ values. FILENAME is just shorthand for "\|\|\|\|FILENAME". For
+ details on the specification, see the section **Picture
+ specification** in the **flac(1)** man page.
+
+**\--export-picture-to=file**
+: Export PICTURE block to a file. Use '-' for stdout. Only one FLAC
+ file may be specified on the command line. The first PICTURE block
+ will be exported unless \--export-picture-to is preceded by a
+ \--block-number=# option to specify the exact metadata block to
+ extract. Note that the block number is the one shown by \--list.
+
+**\--add-replay-gain**
+: Calculates the title and album gains/peaks of the given FLAC files as
+ if all the files were part of one album, then stores them as FLAC
+ tags. The tags are the same as those used by vorbisgain. Existing
+ ReplayGain tags will be replaced. If only one FLAC file is given,
+ the album and title gains will be the same. Since this operation
+ requires two passes, it is always executed last, after all other
+ operations have been completed and written to disk. All FLAC files
+ specified must have the same resolution, sample rate, and number of
+ channels. Only mono and stereo files are allowed, and the sample
+ rate must be 8, 11.025, 12, 16, 18.9, 22.05, 24, 28, 32, 36, 37.8,
+ 44.1, 48, 56, 64, 72, 75.6, 88.2, 96, 112, 128, 144, 151.2, 176.4,
+ 192, 224, 256, 288, 302.4, 352.8, 384, 448, 512, 576, or 604.8 kHz.
+
+**\--scan-replay-gain**
+: Like \--add-replay-gain, but only analyzes the files rather than
+ writing them to the tags.
+
+**\--remove-replay-gain**
+: Removes the ReplayGain tags.
+
+**\--add-seekpoint={***\#***\|***X***\|***\#x***\|***\#s***}**
+: Add seek points to a SEEKTABLE block. Using \#, a seek point at that
+ sample number is added. Using X, a placeholder point is added at the
+ end of a the table. Using \#x, \# evenly spaced seek points will be
+ added, the first being at sample 0. Using \#s, a seekpoint will be
+ added every \# seconds (# does not have to be a whole number; it can
+ be, for example, 9.5, meaning a seekpoint every 9.5 seconds). If no
+ SEEKTABLE block exists, one will be created. If one already exists,
+ points will be added to the existing table, and any duplicates will
+ be turned into placeholder points. You may use many \--add-seekpoint
+ options; the resulting SEEKTABLE will be the unique-ified union of
+ all such values. Example: \--add-seekpoint=100x \--add-seekpoint=3.5s
+ will add 100 evenly spaced seekpoints and a seekpoint every 3.5
+ seconds.
+
+**\--add-padding=length**
+: Add a padding block of the given length (in bytes). The overall
+ length of the new block will be 4 + length; the extra 4 bytes is for
+ the metadata block header.
+
+# MAJOR OPERATIONS
+
+**\--list**
+: List the contents of one or more metadata blocks to stdout. By
+ default, all metadata blocks are listed in text format. Use the
+ options **\--block-number**, **\--block-type** or
+ **\--except-block-type** to change this behavior.
+
+**\--remove**
+: Remove one or more metadata blocks from the metadata. Use the options
+ **\--block-number**, **\--block-type** or **\--except-block-type**
+ to specify which blocks should be removed. Note that if both
+ \--block-number and \--[except-]block-type are specified, the result
+ is the logical AND of both arguments. Unless \--dont-use-padding
+ is specified, the blocks will be replaced with padding. You may not
+ remove the STREAMINFO block.
+
+**\--block-number=#\[,#\[...\]\]**
+: An optional comma-separated list of block numbers to display. The
+ first block, the STREAMINFO block, is block 0.
+
+**\--block-type=type\[,type\[...\]\]**
+
+**\--except-block-type=type\[,type\[...\]\]**
+: An optional comma-separated list of block types to be included or
+ ignored with this option. Use only one of \--block-type or
+ \--except-block-type. The valid block types are: STREAMINFO, PADDING,
+ APPLICATION, SEEKTABLE, VORBIS_COMMENT, PICTURE. You may narrow down
+ the types of APPLICATION blocks selected by appending APPLICATION
+ with a colon and the ID of the APPLICATION block in either ASCII
+ or hexadecimal representation. E.g. APPLICATION:abcd for the
+ APPLICATION block(s) whose textual representation of the 4-byte ID
+ is "abcd" or APPLICATION:0xXXXXXXXX for the APPLICATION block(s)
+ whose hexadecimal big- endian representation of the 4-byte ID
+ is "0xXXXXXXXX". For the example "abcd" above the hexadecimal
+ equivalalent is 0x61626364
+
+**\--application-data-format=hexdump\|text**
+: If the application block you are displaying contains binary data but
+ your \--data-format=text, you can display a hex dump of the
+ application data contents instead using
+ \--application-data-format=hexdump.
+
+**\--data-format=binary\|binary-headerless\|text**
+: For use with --list. By default a human-readable text
+ representation of the data is isplayed. You may specify
+ --data-format=binary to dump the raw binary form of each metadata
+ block. Specify --data-format=binary-headerless to omit output of
+ metadata block headers, including the id of APPLICATION metadata
+ blocks.
+
+**\--append**
+: Insert a metadata block from a file. This must be a binary block as
+ exported with --list --data-format=binary. The insertion point is
+ defined with --block-number=#. The new block will be added after the
+ given block number. This prevents the illegal insertion of a block
+ before the first STREAMINFO block. You may not --append another
+ STREAMINFO block. It is possible to copy a metadata block from one
+ file to another with this option. For example use
+ `metaflac --list --data-format=binary --block-number=6 file.flac > block`
+ to export the block, and then import it with
+ `metaflac --append anotherfile.flac < block`
+
+**\--remove-all**
+: Remove all metadata blocks (except the STREAMINFO block) from the
+ metadata. Unless \--dont-use-padding is specified, the blocks will be
+ replaced with padding.
+
+**\--merge-padding**
+: Merge adjacent PADDING blocks into single blocks.
+
+**\--sort-padding**
+: Move all PADDING blocks to the end of the metadata and merge them
+ into a single block.
+
+# SEE ALSO
+
+**flac(1)**