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+.TH MIDI2ABC 1 "1 January 2017"
+.SH NAME
+\fBmidi2abc\fP \- program to convert MIDI format files to abc notation
+.SH SYNOPSIS
+midi2abc \-f \fIinfile\fP [\-xa] [\-ga]
+[\-a \fIacbeats\fP] [\-m \fItime signature\fP]
+[\-ppu \fiparts per unit\fP] [\-aul \fidenominator of unit length\fP]
+[\-gu] [\-b \fIbars\fP] [\-Q \fItempo\fP] [\-u \fipulses\fP]
+[\-k \fIkey\fP] [\-c \fIchannel\fP] [\-obpl] [\-bpl \fibars\fP] [\-bps \fPbars\fP]
+[\-o \fIfilename\fP] [\-s] [\-sr \fiunits\fP] [\-sum] [\-nb] [\-nt]
+[\-splitvoices] [\-midigram] [\-mftext] [-mftextpulses] [\-nogr] [\-title \fistring\fP]
+[\-origin \fistring\fP]
+
+
+
+.SH DESCRIPTION
+\fImidi2abc\fP takes a MIDI format file and converts it to something as close
+as possible to abc text format. The user then has to add text fields not
+present in the MIDI header and possibly tidy up the abc note output.
+.PP
+The output of midi2abc is printed to the screen. To save it to a file, use
+the redirection operator, (e.g. \fImidi2abc \-f file.mid > file.abc\fP) or
+specify the output file using the \-o option.
+.PP
+Use only one or none of the options \-u \-gu, \-b and \-Q. Midi2abc normally
+converts the MIDI time units into quantum units normally corresponding to the
+abc 1/16th note or 1/32nd note.  If none of these is present, the
+program will use the PPQN information in the MIDI header to compute the suitable
+conversion factor. For most MIDI files on the web, it is recommended to rely on 
+the MIDI header information and not use any of the options other than
+the formatting options.
+.PP
+The program will extract the time signature information from the MIDI file
+if it is present. Otherwise it will assume 4/4 or you could specify it with
+\-m. option. 
+.PP
+If the tune has an anacrusis, you can use either the \-ga or \-xa option to estimate the its length. Alternatively, you can specify its value using the \-a
+option. The anacrusis is specified in half unit lengths, where the unit
+length is defined by the L: field. For example if L: 1/8, then a
+quarter note would be indicated by the value 4, (4 1/16 units). 
+.SS OPTIONS
+.TP
+.B -a \fIacbeats\fP
+where acbeats specifies the anacrusis in half unit lengths. 
+.TP
+.B -xa
+extract the anacrusis from file by finding the first strong note
+.TP
+.B -ga
+guess the anacrusis by minimizing the number of ties across bars
+.TP
+.B -m \fItime signature\fP
+time signature
+.TP
+.B -b \fIbars\fP
+number of bars wanted in output 
+.TP
+.B -Q \fItempo\fP
+tempo in quarter\-notes per minute
+.TP
+.B -u \fipulses\fP
+Allows you to specify directly the number of midi pulses per
+abc time unit.
+.TP
+.B -ppu \fiparts per abc unit length\fP
+Normally, the smallest note unit that midi2abc can extract
+is half the L: unit length.This is called the quantum unit.
+Thus for L: 1/8, midi2abc can extract 1/16 notes but not 1/32 notes.
+You can change this by specifying \-ppu 4 for example. The number of parts
+should be a power of 2.
+.TP
+.B -aul \fidenominator of abc unit length\fP
+Normally midi2abc chooses a unit length of 1/8 or 1/16
+depending upon the time signature. For time signatures
+smaller than 3/4 the L: 1/16 is used and for larger time
+signatures L: 1/8 is used. You can specify the unit length
+to be used using this parameter. Thus \-aul 32 will cause
+midi2abc to use a unit length of 1/32 nd note.
+.TP
+.B -gu
+Tells midi2abc to estimate the number of midi pulses per abc
+time unit from the note duration or spacing in the MIDI file.
+.TP
+.B -gk
+Tells midi2abc to guess the key signature by minimizing
+the number of accidentals even if the key signature is
+already specified in the MIDI file. By default the key
+signature is the one specified in the MIDI file.
+If it is not specified, then the program guesses the
+key signature by minimizing accidentals.
+.TP
+.B -k \fIkey\fP
+key signature: \-6 to 6 sharps.
+.TP
+.B -c \fIchannel\fP
+select only this midi channel.
+.TP
+.B -f \fIinfile\fP
+input file in midi format
+.TP
+.B -o \fIoutput file\fP
+specifies the output abc file name.
+.TP
+.B -s
+do not discard very short notes.
+.TP
+.B -sr \fIquantum units\fP
+do not notate a short rest smaller than the specified size after a note. If the
+size (in quantum units) is zero, nothing is done. For larger values, the rest
+is absorbed into the preceding note. In other words, the preceding note
+is lengthened to include that rest.
+.TP
+.B -sum
+print a short summary of the input midi file.
+.TP
+.B -nb
+do not look for broken rhythms
+.TP
+.B -nt
+do not look for triplets
+.TP
+.B -obpl
+Print only one bar per line instead of 4. For complex music this
+improves the readability and avoids some problems with some abc
+to postscript converters. This option is deprecated.
+.TP
+.B -nogr
+(No note grouping.) Inserts a space between all notes. It makes
+a less pretty postscript file but it is easier to edit.
+.TP
+.B -bpl \finbars\fP
+Print nbars of music on every line followed by a backslash.
+.TP
+.B -bps \finbars\fP
+When nbars have been printed (including those lines joined by
+a backslash continuation) go to a new line (with no backslash).
+.TP
+.B -splitvoices
+This parameter handles polyphonic chords by
+splitting an entire voice into multiple voices. (A polyphonic
+chord is a chord composed of notes that do not start
+or end at the same time.) Normally, midi2abc joins the
+longer notes to the notes in the following chord using ties.
+Here is an example:  [Bd-]d [Bd-]d|. This should
+be separated into two voices ideally  Bz Bz and d2 d2. However,
+the separation is not unique. Bz d2 and d2 Bz are also ok.
+.TP
+.B -midigram
+When this option appears, all other options are ignored and
+no abc file is produced. Instead a list of all notes in the
+MIDI file are printed in a fixed format. Each line represents
+a pair of MIDI note on/off event. The line contains the
+on/off time of the note, its track number, channel number,
+midi pitch and midi velocity. The last record indicates
+the duration of the MIDI file in MIDI pulse units. The
+output is designed to go into a graphical user interface
+which will produce a graphical representation (piano roll).
+.TP
+.B -mftext
+When this option appears, all other options are ignored and
+no abc file is produced. Instead a list of all the MIDI
+commands are printed. The output is designed to go into
+a graphical user interface provided by runabc.tcl.
+.TP
+.B -mftextpulses
+Same as -mftext except the time units is in midi pulses.
+.TP
+.B -title \fistring\fP
+Replaces the default title field following T: with
+the given string.
+.TP
+.B -origin \fistring\fP
+Adds an O: field with the given string.
+.TP
+
+
+.SS FEATURES
+* The key is chosen so as to minimize the number of accidentals. 
+Alternatively, the user can specify the key numerically (a positive number
+is the number of sharps, a negative number is minus the number of flats).
+.PP
+* Note length can be set by specifying the total number of bars or the 
+tempo of the piece. Alternatively the note length can be read from the file.
+However, by default it is deduced in a heuristic manner from the inter-note 
+distances.  This means that you do not have to use the MIDI clock as a 
+metronome when playing in a tune from a keyboard. 
+.PP
+* Barlines are automatically inserted. The user specifies the number of
+measures in the anacrusis before the first barline and the time signature.
+.PP
+* The program can guess how the length of the anacrusis,
+either by looking for the first strong note or minimizing the number of
+notes split by a tie across a barline.
+.PP
+* Where a note extends beyond a bar break, it is split into two tied notes.
+.PP
+* The output has 4 bars per line.
+.PP
+* Enough accidental signs are put in the music to ensure that no pitch
+errors occur if a barline is added or deleted.
+.PP
+* The program attempts to group notes sensibly in each bar.
+.PP
+* Triplets and broken rhythm (a>b) are supported.
+.PP
+* Chords are identified.
+.PP
+* Text information from the original MIDI file is included as comments.
+.PP
+* The \-c option can be used to select only 1 MIDI channel. Events on 
+other channels are ignored.
+.SS LIMITATIONS
+midi2abc does not ...
+.PP
+* Supply tune title, composer or any other field apart from X: , K:, Q:, M:
+and L: - these must be added by hand afterwards, though they may have been
+included in the text of the MIDI file.
+.PP
+* Support duplets, quadruplets, other esoteric features.
+.PP
+* Support mid-tune key or time signature changes.
+.PP
+* Deduce repeats. The output is just the notes in the input file.
+.PP
+* Recover an abc tune as supplied to abc2midi. However, if you want to
+do this, "midi2abc  \-xa \-f file.mid" comes close.
+.SH "SEE ALSO"
+abc2ps(1), abc2midi(1), abc2abc(1)
+.SH AUTHOR
+James Allwright <J.R.Allwright@westminster.ac.uk>
+.SH SUPPORTED
+Seymour Shlien <fy733@ncf.ca>
+.SH VERSION
+This man page describes midi2abc version 2.91 from March 09 2008.
+.SH COPYRIGHT
+Copyright 1999 James Allwright
+.PP
+midi2abc does not work correctly if lyrics are embedded in
+the same track as the notes. If you are producing the MIDI
+file using abc2midi, use the \-STFW option to ensure that the
+lyrics are put in a separate track.
+.PP
+midi2abc is supplied "as is" without any warranty. It
+is free software and can be used, copied, modified and
+distributed without fee under the terms of the GNU General 
+Public License. 
+