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authorDaniel Baumann <daniel.baumann@progress-linux.org>2024-04-07 09:22:09 +0000
committerDaniel Baumann <daniel.baumann@progress-linux.org>2024-04-07 09:22:09 +0000
commit43a97878ce14b72f0981164f87f2e35e14151312 (patch)
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Adding upstream version 110.0.1.upstream/110.0.1upstream
Signed-off-by: Daniel Baumann <daniel.baumann@progress-linux.org>
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+# WebCodecs Test Files
+
+[TOC]
+
+## Instructions
+
+To add, update or remove a test file, please update the list below.
+
+Please provide full reference and steps to generate the test file so that
+any people can regenerate or update the file in the future.
+
+## Notes
+* When updating the sample offsets and descriptions for tests using mp4 files, it's easiest to use [mp4box.js](https://gpac.github.io/mp4box.js/test/filereader.html).
+ * Sample offsets can be copied from the "Sample View" tab after unchecking all but offset and size. Use a multi-line edit mode and clang-format to quickly format entries.
+ * Description entries can be found under moov.trak.mdia.minf.stbl.stsd in box view.
+ * avc1.avcC has an offset, size in the same view. Add 8 to offset and subtract 8 from the size to get the values the tests want.
+ * If you use ffprobe -show_packets to get sample offsets, you may need to add 4 to each `pos` value. You can tell if you need to by whether or not tests pass.
+
+## List of Test Files
+
+### four-colors.png
+Generated using MSPaint like a true professional.
+
+### four-colors.avif
+Lossless encoding must be used to ensure colors are perfect.
+```
+avifenc -l four-colors.png -o four-colors.avif
+```
+
+### four-colors.webp
+Lossless encoding must be used to ensure colors are perfect.
+```
+ffmpeg -i four-colors.png -lossless 1 -y four-colors.webp
+```
+
+### four-colors-limited-range-420-8bpc.webp
+```
+ffmpeg -i four-colors.png -pix_fmt yuv420p four-colors-limited-range-420-8bpc.webp
+```
+
+### four-colors.gif
+High quality encoding must be used to ensure colors are perfect.
+```
+cp four-colors.png four-colors2.png
+gifski -o four-colors.gif four-colors*.png
+```
+
+### four-colors-flip.gif
+High quality encoding must be used to ensure colors are perfect.
+```
+ffmpeg -i four-colors.png -vf "rotate=PI" four-colors2.png
+gifski -o four-colors-flip.gif four-colors*.png
+```
+
+### four-colors-flip.avif
+```
+ffmpeg -i four-colors-flip.gif -vcodec libaom-av1 -crf 16 four-colors-flip.mp4
+mp4box -add-image ref:primary:tk=1:samp=1 -ab avis -ab avif -ab miaf -brand avis four-colors-flip.mp4 -out four-colors-flip.avif
+mp4box -edits 1=r four-colors-flip.avif
+```
+
+### four-colors-limited-range-(420|422|444)-8bpc.avif
+```
+avifenc -r l -d 8 -y 420 -s 0 four-colors.png four-colors-limited-range-420-8bpc.avif
+avifenc -r l -d 8 -y 422 -s 0 four-colors.png four-colors-limited-range-422-8bpc.avif
+avifenc -r l -d 8 -y 444 -s 0 four-colors.png four-colors-limited-range-444-8bpc.avif
+```
+
+### four-colors-full-range-bt2020-pq-444-10bpc.avif
+```
+avifenc -r f -d 10 -y 444 -s 0 --nclx 9/16/9 four-colors.png four-colors-full-range-bt2020-pq-444-10bpc.avif
+```
+
+### four-colors.jpg
+Used [Sqoosh.app](https://squoosh.app/) with MozJPEG compression and RGB
+channels. exiftool was then used to add an orientation marker.
+```
+exiftool -Orientation=1 -n four-colors.jpg
+```
+
+### four-colors-limited-range-420-8bpc.jpg
+Used [Sqoosh.app](https://squoosh.app/) with MozJPEG compression and YUV
+channels. exiftool was then used to add an orientation marker.
+```
+exiftool -Orientation=1 -n four-colors-limited-range-420-8bpc.jpg
+```
+
+### four-colors.mp4
+Used a [custom tool](https://storage.googleapis.com/dalecurtis/avif2mp4.html) to convert four-colors.avif into a .mp4 file.
+
+### h264.mp4
+```
+ffmpeg -f lavfi -i testsrc=rate=10:n=1 -t 1 -pix_fmt yuv420p -vcodec h264 -tune zerolatency h264.mp4
+```
+
+### h264.annexb
+```
+ffmpeg -i h264.mp4 -codec copy -bsf:v h264_mp4toannexb -f h264 h264.annexb
+```
+
+### sfx.adts
+```
+sox -n -r 48000 sfx.wav synth 1 sine 480
+ffmpeg -i sfx.wav -frames:a 10 -acodec aac -b:a 96K sfx.adts
+```
+
+### sfx-alaw.wav
+```
+sox -n -r 48000 sfx.wav synth 1 sine 480
+ffmpeg -i sfx.wav -frames:a 10 -acodec pcm_alaw sfx-alaw.wav
+```
+
+### sfx.mp3
+```
+sox -n -r 48000 sfx.wav synth 1 sine 480
+ffmpeg -i sfx.wav -frames:a 10 -acodec libmp3lame -b:a 96K sfx.mp3
+```
+
+### sfx-aac.mp4
+```
+sox -n -r 48000 sfx.wav synth 1 sine 480
+ffmpeg -i sfx.wav -frames:a 10 -acodec aac -b:a 96K sfx-aac.mp4
+```
+
+### sfx-mulaw.wav
+```
+sox -n -r 48000 sfx.wav synth 1 sine 480
+ffmpeg -i sfx.wav -frames:a 10 -acodec pcm_mulaw sfx-mulaw.wav
+```
+
+### sfx-opus.ogg
+```
+sox -n -r 48000 sfx.wav synth 1 sine 480
+ffmpeg -i sfx.wav -frames:a 10 -acodec libopus -b:a 96K sfx-opus.ogg
+```
+
+### av1.mp4
+```
+ffmpeg -f lavfi -i testsrc=rate=10:n=1 -t 1 -pix_fmt yuv420p -vcodec libaom-av1 av1.mp4
+```
+
+### vp8.webm
+```
+ffmpeg -f lavfi -i testsrc=rate=10:n=1 -t 1 -pix_fmt yuv420p -vcodec vp8 vp8.webm
+```
+
+### vp9.mp4
+```
+ffmpeg -f lavfi -i testsrc=rate=10:n=1 -t 1 -pix_fmt yuv420p -vcodec vp9 vp9.mp4
+```