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diff --git a/contrib/mom/examples/typesetting.mom b/contrib/mom/examples/typesetting.mom new file mode 100644 index 0000000..e273611 --- /dev/null +++ b/contrib/mom/examples/typesetting.mom @@ -0,0 +1,707 @@ +.\" -*- mode: text; coding: utf-8; -*- +\# +\# Copyright 2004-2020 Free Software Foundation, Inc. +\# +\# Copying and distribution of this file, with or without modification, +\# are permitted in any medium without royalty provided the copyright +\# notice and this notice are preserved. +\# +\# Most mom users rely on mom's document processing macros to format +\# their work. The doc processing macros take care of all things +\# typographic and are simple, clear and easy to learn. The kind of +\# "by hand" typesetting this file demonstrates is geared towards +\# professional typographers. Bear in mind, though, that the full +\# power of mom's typesetting capabilities can be brought to bear on +\# document processing as well. +\# +\# Basic page setup +\# +.PAGE 8.5i 11i 1i 1i 1i \" Page size, margins +\# +\# Basic type parameters +\# +.FAMILY T \" Times Roman family +.FT B \" Bold font +.PT_SIZE 12 \" Point size +.LS 14 \" Leading (line spacing) +.LEFT \" Set lines flush left, nofill mode +\# +\# Refinements +\# +.HY \" Hyphenate +.KERN \" Automatic pairwise kerning +.LIGATURES \" Automatic ligature generation +.SMARTQUOTES \" Enable smartquotes +.SS 0 \" No extra space between sentences +\# +.SP |1i-1v \" Advance 1 inch from top of paper to first baseline +Example 1\*[BU 2]: +.ALD .25v \" Advance an extra 1/4 linespace +.UNDERSCORE 3.5p "T\*[BU 4]asting notes using padding, string tabs \ +and multi-columns" +\# +.SP \" Add an extra line space +\# +.FAM H \" Helvetica family +.PT_SIZE 10 +.LS 11 \" New leading +\# +\# The following uses a combination of padding, string tabs, and the +\# FWD escape to set up five tabs with 1-pica gutters stretched over +\# the full line length. +\# +.SILENT \" Don't print the next line +.PAD "\*[ST1]VIN#\*[ST1X]\*[FWD 1P]\*[ST2]ROBE#\*[ST2X]\ +\*[FWD 1P]\*[ST3]NEZ#\*[ST3X]\*[FWD 1P]\*[ST4]BOUCHE#\*[ST4X]\ +\*[FWD 1P]\*[ST5]COMMENTAIRES\*[ST5X]" +.SILENT OFF \" Resume normal printing of text +\# +\# Now that the string tabs have been marked off, we "set" them. +\# +.ST 1 L \" First string tab flush left, nofill (line-for-line) mode +.ST 2 L QUAD \" Remaining tabs are flush left/rag right, fill mode +.ST 3 L QUAD +.ST 4 L QUAD +.ST 5 L QUAD +\# +.TAB 1 \" Call first tab +.UNDERSCORE "VIN" +.TN \" Move to next tab and stay on the same baseline +.UNDERSCORE "ROBE" +.TN \" Ibid +.UNDERSCORE "NEZ" +.TN \" Ibid +.UNDERSCORE "BOUCHE" +.TN \" Ibid +.UNDERSCORE "COMMENTAIRES" +.TQ \" Quit tabs +\# +.ALD 6p \" Advance an extra 6 points +.FT R \" Change font to roman (medium) +.MCO \" Turn multi-column mode on +\# +.TAB 1 \" Notice that this tab gets set line-for-line +\*[IT]Peelee Island \" Set italic +\*[PREV]Gewürztraminer \" Revert to former font (roman) +2000 +(Canada) +.MCR \" Return to top of column +.TAB 2 \" Call tab 2; in multi-column mode, don't use .TN +Jaune pâle. +.MCR +.TB 3 \" Notice that from here on, we use the alias TB instead of TAB +Frais, fruité, ci\%tronné, arômes fortes de lichee et de fruits +tropicaux. +.MCR +.TB 4 +Doux, fruité, bien équilibré avec une bonne acidité. +.MCR +.TB 5 +Bon apéro. Servir avec des plats +.RW .1 \" Reduce Whitespace between letters to tighten this line +indiens ou \%chinois. +.RW 0 \" Back to normal spacing between letters +.BR +Excellent rapport qualité/prix. +.MCX 8p \" Multi-column mode off; advance an extra 8 points +.MCO \" Re-invoke multi-columns for next wine description +.TB 1 +\*[IT]Carau Pujol +\*[ROM]Tannat +1995 +(Uraguay) +.MCR +.TB 2 +Rubis foncé, vio\%lacée, presque opaque. +.MCR +.TB 3 +Belles arômes de fruits foncés (prunes, cerises noires, cassis). +Odeurs tertiares de cuir, cèdre, violets, eucalyptus, avec une trace +exotique de Band-Aid*\*[BU 12]. +\# +\# The \*[BU 12], above, pulls the period back so that it falls +\# underneath the asterisk. \*[BP<n>] could have been used instead +\# if you prefer to use points rather than kern units. +\# +.MCR +.TB 4 +Très rond, tannins mûres et veloutés, avec un long finis fruité et +doucement alcoolique. +.MCR +.TB 5 +Superbe\|! Une aubaine à ne pas manquer. Prêt à boire maintenant. +.MCX 1v \" Multi-columns off; advance an extra linespace +\# +\# Now, an example of a hanging indent. This is excessively fussy +\# from a typographic standpoint in that it hangs the asterisk outside +\# the current left margin so that the text following it lines up with +\# with the text in the tasting notes. Notice that in order to use a +\# hanging indent, you must first set a left indent. +\# +.FT I \" Change font to italic +.PT_SIZE -.5 \" Reduce point size by 1/2 point +.LS -.5 \" Reduce leading by 1/2 point +.JUSTIFY \" Set text justified +\# +\# Now, move the left margin back by the width of an asterisk plus 2 points... +\# +.L_MARGIN -(\w'*'+2p) +\# +\# ...and set a left indent equal to the width of an asterisk plus 2 points +\# +.IL \w'*'+2p +\# +\# Now, set the hanging indent equal to the left indent, effectively +\# pulling the first line of the following text back to the new left +\# margin. Subsequent output lines will be indented by the .IL +\# amount. Notice that when using the \w inline escape, there's no +\# need to append a unit of measure. +\# +.HI \w'*'+2p +*\*[FWD 1p]The term "Band-Aid" means the slightly sweet, vaguely chemical +smell associated with medical-grade plastics. It is often found in +wines from terroirs in South America. Provided a wine has a sufficient +concentration of fruit +.RW .04 \" Tighten the next line slightly, so "lipstick" doesn't hyphenate. +aromas and complex tertiary characteristics, Band-Aid is a Good Thing. +Otherwise, it smells like cheap lipstick. +.RW 0 \" Reset kerning to 0 +\# +\# Notice, above, that although the values for IL and HI are the width +\# of an asterisk plus 2 points, when setting the first line of text +\# (the one with the asterisk at the beginning), we put only 1 point of +\# space after the *. This is to compensate for the fact that in the +\# italic font, the letter T doesn't align visually with the rest of +\# the text. As already noted, this is an extremely fussy example. :) +\# +.IQ CLEAR \" Cancel and clear stored indent values +.L_MARGIN 1i \" Reset left margin to its original value. +\# +.ALD 2P \" Add 2-picas extra space before next example +\# +.FAM T +.FT B +.PT_SIZE 12 +.LS 14 +\# +Example 2: +.ALD .25v +\# +.COMMENT +In the next line, because the string to be underscored must be +enclosed in double-quotes, you can't use the double-quote character +itself around the word "Massaging". We circumvent this by using the +groff inline escapes \[lq] and \[rq] (leftquote and rightquote). +.COMMENT OFF +\# +.UNDERSCORE 3.5p "\[lq]Massaging\[rq] \*[BCK 1p]a passage of rag right text" +.SP \" Add an extra linespace +\# +.PT_SIZE 12.5 +.LS 14 +.PT_SIZE -1 \" Reduce point size by 1 point +Passage using groff spacing defaults +\# +.ALD .5v \" Add an extra 1/2 line space +\# +.PT_SIZE +1 \" Restore point size +.QUAD LEFT \" Set quad left, fill mode +.IB 3P \" Indent 3 picas from both the left and right margins +.FT R +The thousand injuries of Fortunato I had borne as I best could; +but when he ventured upon insult, I vowed revenge. You, who so well +know the nature of my soul, will not suppose, however, that I gave +utterance to a threat. \*[IT]At length\*[PREV] I would be +avenged; this was a point definitively settled\[em]but the very +definitiveness with which it was resolved, precluded the idea of +risk. I must not only punish, but punish with impunity. A +wrong is unredressed when retribution overtakes its redresser. +It is equally unredressed when the avenger fails to make himself +felt as such to him who has done the wrong. +.ALD 6p +\# +\# The next line is set quad right, nofill mode, 1/2 point smaller +\# than the preceding text (using the \*[SIZE <n>] inline escape. +\# +.RIGHT +\*[SIZE -.5]\[em]Edgar Allen Poe, \*[IT]The Cask of Amontillado\*[PREV]\*[SIZE +.5] +.SP \" Extra linespace +.IBQ \" Disable "indent both" +\# +\# The passage above, while acceptable in a longer document, exhibits a +\# few typographic flaws. The shape of the right margin rag exhibits +\# a decidedly "rounded" appearance. The word "I" stands alone at the +\# end of the third line. The space between the 1st and 2nd sentences +\# ("...revenge. You...") is too large, owing to the letter "Y" that +\# begins the 2nd sentence. The spacing between "A wrong..." (line 6) +\# is equally too large because of the way "A" and "w" fit together. +\# The em-dash before Edgar isn't vertically centered with the letter "E". +\# And so on. The most important correction below is fixing the rag +\# so that longer and shorter lines alternate. This is accomplished by +\# manually breaking lines and then slightly lengthening and shortening +\# them until a pleasing rag is achieved. The remainder of the little +\# flaws are fixed with inline escapes. +\# +.FT B +.PT_SIZE -1 +.LEFT +The same passage, \*[BU4]"massaged" +\# +.ALD .5v +\# +.FT R +.PT_SIZE +1 +.QUAD LEFT +.HY OFF \" Turn automatic hyphenation off +.BR_AT_LINE_KERN \" Automatically insert a line break (.BR) at each .RW and .EW +.WS +1 \" Increase word space slightly +.IB \" Turn "indent both" back on; values are the same as before +\# +The thousand injuries of Fortunato I had borne as I best could; +but when he ventured upon insult, I \*[BU2]vowed revenge. +\*[BU4]Y\*[BU6]ou, \*[BU4]who so \*[BU2]well know the nature +.EW .2 +of my soul, \*[BU2]will not suppose, however, that I gave utterance +to a threat. \*[IT]At +.EW .2 +length\*[PREV] I would be avenged; this was a point definitively +settled\[em]but the +.EW .2 +v\*[BU1]ery definitiveness with which it was resolved, precluded the +idea of risk. +.EW 0 +I must not only punish, but punish with impunity. A \*[BCK 1p]wrong +is unredressed +.EW .1 +when retribution overtakes its redresser. It is equally unredressed +when the +.RW .1 +avenger fails to make himself felt as such to him \*[BU 2]who has +done the wrong. +.RW 0 \" Restore normal kerning +.WS +0 \" Restore normal wordspacing +.ALD 6p +.PT_SIZE -.5 +.RIGHT +\*[UP 1.5p]\[em]\*[DOWN 1.5p]\*[BCK 1p]Edgar \*[BCK 1p]Allen Poe, \ +\*[IT]The Cask of Amontillado\*[PREV] +.IQ CLEAR \" Cancel and clear stored values of all indents +\# +.NEWPAGE \" Start a new page +.T_MARGIN 1i \" Set top margin to 1i (approx. equivalent to .ALD 1i-1v above) +\# +.FAM T +.FT B +.PT_SIZE 12 +.LS 14 +.LEFT +\# +Example 3: +.ALD .25v +.UNDERSCORE 3.5p "A \*[BU2]recipe for enumerated lists using indents" +.SP .5v \" Add an extra half line space +.ie '\*[.T]'ps' \ +.FAM N \" New Century Schoolbook family +.el .if '\*[.T]'pdf' \ +.FAM U-N +.FT R +.PT_SIZE 11 +.LS 13 +.HY \" Turn hyphenation back on +.JUSTIFY \" Justify text +This example demonstrates the use of left and hanging indents for +simple enumerated lists. Nested lists are possible, as the example +shows; however, the more complex the nesting, the wiser it becomes +to use (string) tabs, as seen in Example 4. +.DBX .5 0 \n[.l]u 2P+9p \" Draw box; \n[.l]u means "the current line length" +.IB 6p \" Indent from both left and right margins +.ALD 14p +\*[BD]Please note: mom\*[PREV] has macros that allow you to set +enumerated lists automatically. These examples merely show hanging +indents and string tabs in use. +\# +.ALD 9p +.JUSTIFY \" Justify text +.IL \w'\0.\0' \" Establish a left indent equal to 2 figure spaces plus a period. +.HI \w'\0.\0' \" Establish a hanging indent equal to the left indent. +.ALD 6p +\# +\# +1.\0This is the first item in the list. N\*[BU2]otice how the first line +"hangs" back from the remaining text, which is otherwise +indented by the width of by two figure-spaces (digit-width +spaces) and a period. +.BR +.HI \" Notice that HI doesn't require an argument once the value's set +.ALD 6p +2.\0This is the second item in the list. As with the above item, +notice the use of the \*[BU8]\\0 escape sequence in the input +text. It's there to ensure that the space after the number/period +combination always remains the same (i.e. doesn't stretch when the +line is justified). That way, the text of each item always lines up +perfectly. +\# +.COMMENT +Now we're going to set a bullet-point list, indented from the text +above by 1 pica. IL arguments are always added to whatever value +is in already effect for IL, hence all we have to do is tell mom to +indent (from the current left indent) 1 pica plus the width of the +bullet character, \[bu]. \*[FWD 3p] puts three points of space after +the bullet so that the bullet and the text are visually separated. +.COMMENT OFF +\# +\# +.IL 1P+\w'\[bu]\*[FWD 3p]' +\# +\# Hanging indents are always relative to the current left indent. +\# The additional 1-pica indent, above, already having been taken +\# care of, we only want to hang the first lines of bullet list +\# items back by the width of the bullet character plus its 3 extra +\# points of space. +\# +.ALD 6p +.HI \w'\[bu]\*[FWD 3p]' +\*[DOWN 1p]\[bu]\*[UP 1p]\*[FWD 3p]This is the first line of a +sublist with bullets. N\*[BU2]otice how the first line (the one +with the bullet) is indented exactly one pica from the text of the +list item above it, while the remaining lines align with the left +indent we set above. +.ALD 6p +.HI +\*[DOWN 1p]\[bu]\*[UP 1p]\*[FWD 3p]This is the second item of the +sublist with bullets. \*[BU4]We could go on indefinitely, but let's +go back to the top level (numbered) list... +\# +\# The easiest way to return to a previous indent value is by +\# subtraction. The argument to IL, above, was 1P+\w'[bu]\*[FWD +\# 3p]', so we just reverse it by putting a minus sign in front. +\# The parentheses are required for groff to evaluate the expression +\# properly. +\# +.IL -(1P+\w'\[bu]\*[FWD 3p]') +.HI \w'\0.\0' \" Reset hanging indent for use with numbered items. +.ALD 6p +3.\0...and here we are. +.IQ CLEAR \" Don't forget to cancel and/or clear indents! +\# +.FAM T +.FT B +.PT_SIZE 12 +.LS 14 +.LEFT +.SP +\# +Example 4: +.ALD .25v +.UNDERSCORE 3.5p "A \*[BU 2]recipe for nested lists using string tabs" +.SP .5v +.ie '\*[.T]'ps' \ +.FAM N +.el .if '\*[.T]'pdf' \ +.FAM U-N +.FT R +.PT_SIZE 11 +.LS 13 +.JUSTIFY +Although setting up string tabs is a bit more complex than setting +up indents, it's \*[BU 3]well worth the effort, especially for +nested lists. +.ALD 6p +\# +.COMMENT +The PAD line, below, sets up two string tabs. The first (ST1) is +exactly the length of two figure spaces and a period. The second +(ST2) is simply "the remainder of the line." +.COMMENT OFF +\# +.SILENT \" Don't print any of this +.PAD "\*[ST1]\0.\0\*[ST1X]\*[ST2]#\*[ST2X]" +.ST 1 L \" String tabs must be "set" after being marked off in a line +.ST 2 J \" ST 1 will be set flush left, nofill; ST 2 will be justified. +.SILENT OFF \" Restore printing +\# +.TB 1 +1.\c +.TN \" Use .TN so text stays on the same baseline +This is the first item in the list. N\*[BU 2]otice how, just as in +Example 3, the first line hangs back from the remaining text, which +is otherwise +indented. +.ALD 6p +.TB 1 +2.\c +.TN +This is the second item in the list. N\*[BU 2]otice that when +setting "lists" with tabs, there's no need to use the \*[BU 8]\\0 +escape sequence after the number/period combination in the input +text. +\# +.COMMENT +Now, set up the indented bullet-point sublist. The PAD line +says: move forward 12 points (1 pica), then mark off a string +tab (ST3) that's the length of the bullet character; move forward +another three points, then make the next string tab (ST4) the +length of remainder of the line. +.COMMENT OFF +\# +.SILENT +.PAD "\*[FWD 12p]\*[ST3]\[bu]\*[ST3X]\*[FWD 3p]\*[ST4]#\*[ST4X]" +.ST 3 L +.ST 4 J +.SILENT OFF +.ALD 6p +.TB 3 +\*[DOWN 1p]\[bu]\*[UP 1p]\c +.TN +This is the first line of a sublist with bullets. N\*[BU2]otice +how the bullets and the text line up exactly the same as in Example +3. +.ALD 6p +.TB 3 +\*[DOWN 1p]\[bu]\*[UP 1p]\c +.TN +This is the second item of the sublist with bullets. For the fun of +it, lets add in an +.SPREAD +en-dashed sub-sublist. +.BR \" We're in fill mode right now, so you must terminate the line with BR +\# +.SILENT +.PAD "\*[FWD 12p]\*[ST5]\[en]\*[ST5X]\*[FWD 4p]\*[ST6]#\*[ST6X]" +.ST 5 L +.ST 6 J +.SILENT OFF +.ALD 6p +.TB 5 +\*[UP .75p]\[en]\*[DOWN .75p]\c +.TN +Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam +nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam +erat, sed diam voluptua. +.ALD 6p +.TB 5 +\*[UP .75p]\[en]\*[DOWN .75p]\c +.TN +At \*[BU 3]vero eos et accusam et justo duo dolores et ea rebum. +Stet clita kasd gubergren, no sea takimata sanctus est lorem ipsum +dolor sit amet. +.ALD 6p +.TB 1 +3.\c +.TN +And here we are, back at the top-level numbered list with a minimum +of muss and fuss, +.ALD 6p +.TB 1 +4.\c +.TN +Generally speaking, once you get the hang of string tabs and the +\*[BD]PAD\*[PREV] macro, you'll find setting up complex indenting +structures easier than with the indent macros. +.TQ +\# +.NEWPAGE +.FAM T +.FT B +.PT_SIZE 12 +.LS 14 +.RLD 2p +.LEFT +\# +Example 5: +.ALD .25v +.UNDERSCORE 3.5p "Word spacing" +.ALD 8p +.ie '\*[.T]'ps' \ +.FAM P \" Palatino family +.el .if '\*[.T]'pdf' \ +.FAM U-P +.PT_SIZE 11 +.LS 14 +\# +\# The "label" lines for the following are set in Helvetica +\# bold, one point smaller than the examples themselves. This +\# demonstrates the use of the groff inline escape \f[...] to change +\# both family and font inline. It also shows using the mom inline +\# \*S[...], which is an alternate form of the inline, \*[SIZE <n>] +\# +\f[HB]\*S[-1]Normal word spacing\*S[+1]\*[PREV] +.FT R +N\*[BU1]o\*[BU1]w \*[BU1]is the time for all good men to come to the aid of the party. +.ALD 4p +\f[HB]\*S[-1]Word spacing adjusted by \*[UP 1p]\*[BU3]+\*[DOWN 1p]\*[BU1]2\*S[+1]\*[PREV] +.FT R +.WS +2 +N\*[BU1]o\*[BU1]w \*[BU1]is the time for all good men to come to the aid of the party. +.WS DEFAULT +.ALD 4p +\f[HB]\*S[-1]Word spacing adjusted by \*[UP 1p]\*[BU3]+\*[DOWN 1p]4\*S[+1]\*[PREV] +.FT R +.WS +4 +N\*[BU1]o\*[BU1]w \*[BU1]is the time for all good men to come to the aid of the party. +.WS DEFAULT +.ALD 4p +\f[HB]\*S[-1]Word spacing adjusted by \*[UP 1p]\*[BU3]+\*[DOWN 1p]6\*S[+1]\*[PREV] +.FT R +.WS +6 +N\*[BU1]o\*[BU1]w \*[BU1]is the time for all good men to come to the aid of the party. +.WS DEFAULT +.SP 1.5v +\# +.FAM T +.FT B +.PT_SIZE 12 +.LS 14 +\# +.LEFT +Example 6: +.ALD .25v +.UNDERSCORE 3.5p "Line kerning" +.ALD 8p +.ie '\*[.T]'ps' \ +.FAM P \" Palatino family +.el .if '\*[.T]'pdf' \ +.FAM U-P +.FT R +.PT_SIZE 11 +.LS 15 +\# +\# Here, we set up some tabs so the examples can go into facing columns. +\# +.TAB_SET 1 0 19.5P L +.TAB_SET 2 19.5P 19.5P L +\# +.MCO \" Turn multi-columns on +.TB 1 +\f[HB]\*S[-1]Unkerned line\*S[+1]\*[PREV] +.FT R +"But this is \*[IT]important!\/"\*[PREV]she exclaimed. +.ALD 4p +\f[HB]\*S[-1]Line "tightened" \[en] .RW .1\*S[+1]\*[PREV] +.RW .1 +"But this is \*[IT]important!\/"\*[PREV]she exclaimed. +.ALD 4p +\# +\# In the next line, notice that because it uses a different family +\# (Helvetica instead of Palatino), the RW macro doesn't affect it. +\# +\f[HB]\*S[-1]Line "tightened" \[en] .RW .2\*S[+1]\*[PREV] +.RW .2 +"But this is \*[IT]important!\/"\*[PREV]she exclaimed. +.ALD 4p +\f[HB]\*S[-1]Line "tightened" \[en] .RW .3\*S[+1]\*[PREV] +.RW .3 +"But this is \*[IT]important!\/"\*[PREV]she exclaimed. +.MCR +.TB 2 +\f[HB]\*S[-1]Unkerned line\*S[+1]\*[PREV] +"But this is \*[IT]important!\/"\*[PREV]she exclaimed. +.ALD 4p +\f[HB]\*S[-1]Line "loosened" \[en] .EW .1\*S[+1]\*[PREV] +.EW .1 +"But this is \*[IT]important!\/"\*[PREV]she exclaimed. +.ALD 4p +\f[HB]\*S[-1]Line "loosened" \[en] .EW .2\*S[+1]\*[PREV] +.EW .2 +"But this is \*[IT]important!\/"\*[PREV]she exclaimed. +.ALD 4p +\f[HB]\*S[-1]Line "loosened" \[en] .EW .3\*S[+1]\*[PREV] +.EW .3 +"But this is \*[IT]important!\/"\*[PREV]she exclaimed. +.MCX 1.5v +.EW 0 +\# +.FAM T +.FT B +.PT_SIZE 12 +.LS 14 +.LEFT +\# +Example 7: +.ALD .25v +.UNDERSCORE 3.5p "Cutaround using left\*[FU 2]/right indents, \ +multi columns and a dropcap" +.SP +\# +.FT R +.PT_SIZE 11 +.LS 12 +.BR_AT_LINE_KERN OFF \" In justified text, it's best to have this OFF +\# +.TAB_SET 1 0 18.5P J +.TAB_SET 2 20.5P 18.5P J +.MCO +.ALD 5P+9p +\# +\# The little picture of tux. +\# +.if '\*[.T]'pdf' .PDF_IMAGE penguin.pdf 81p 96p +.if '\*[.T]'ps' .PSPIC penguin.ps 81p 96p +.MCR +.TAB 1 +.XCOLOR red \" Initialize the X11 color, red +.DROPCAP_COLOR red +.DROPCAP_FONT B +.DROPCAP L 3 COND 80 \" i.e. the letter L dropped 3 lines, condensed to 80% of its normal width +.EW .2 +orem ipsum dolor sit amet, consetetur sa\%dip\%scing elitr, sed diam +nonumy eir\%mod tempor invidunt ut labore et dolore magna aliquyam +erat, sed diam voluptua. +.EW 0 +.TI 1P +At vero eos et accusam et justo duo dolores et ea rebum. Stet clita +kasd gubergren, no sea taki- +.SPREAD \" Force justify preceding line before starting indent +.IR 3.5P +kimata sanctus est lorem ipsum dolor sit amet. Lorem ipsum dolor +sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod +tempor. +.EW .2 +.TI +Invidunt ut labore et dolore magna ali\%qu\%yam erat, sed diam +voluptua. At +.EW 0 +vero eos et accusam et justo duo dolores et ea rebum. +.TI +Stet clita kasd gubergren, no sea ta- +.SPREAD \" Force justify preceding line before quitting indent +.IRQ +kimata sanctus est lorem ipsum dolor sit amet. Lorem ipsum dolor +sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor +in\%vi\%dunt ut labore et dolore magna aliquyam erat. Sed diam +voluptua, at vero eos et accusam et justo duo +.SPREAD +.EW .3 +dolores et ea rebum. Stet clita no kasd guber- +.SPREAD +.MCR +.TB 2 +gren, no sea takimata sanctus est lorem ipsum +.EW 0 +dolor sit amet. Consetetur sadipscing elitr, sed diam nonumy eirmod +tempor invidunt ut labore et dolore. +.TI +Magna aliquyam erat, sed diam voluptua, at vero eos et accusam. Et +justo duo dolores et ea +.SPREAD +.IL 3.5P +rebum, stet clita kasd gubergren. No sea takimata sanctus est, +lorem ipsum dolor sit amet. +.TI +Sit amet, consetetur sadipscing elitr, sed diam. Nonumy eirmod +tempor in\%vi- +.EW .3 +dunt ut labore et dolore magna. Ali- +.EW 0 +quyam erat sed diam voluptua. At vero eos et accusam et justo duo +dolores et ea rebum stet. +.ILQ +.TI +Dolores et ea rebum stet clita kasd gubergren, no sea takimata +sanctus. Sadipscing elitr sed diam, nonumy eirmod tempor, invidunt +ut labore et dolore magna aliquyam erat. Sed diam voluptua, at vero +eos et accusam et justo duo dolores et ea rebum. +.\" Local Variables: +.\" mode: nroff +.\" End: +.\" vim: filetype=groff: |